When does Renaissance philosophy end, and Early Modern philosophy begin? Do Renaissance philosophers have something in common, which distinguishes them from Early Modern philosophers? And ultimately, what defines the modernity of the Early Modern period, and what role did the Renaissance play in shaping it? The answers to these questions are not just chronological. This book challenges traditional constructions of these periods, which partly reflect the prejudice that the Renaissance was a literary and artistic phenomenon, rather than a philosophical phase. The essays in this book investigate how the legacy of Renaissance philosophers persisted in the following centuries through the direct encounters of subsequent generations with Renaissance philosophical texts. This volume treats Early Modern philosophers as joining their predecessors as conversation partners: the conversations in this book feature, among others, Girolamo Cardano and Henry More, Thomas Hobbes and Lorenzo Valla, Bernardino Telesio and Francis Bacon, René Descartes and Tommaso Campanella, Giulio Cesare Vanini and the anonymous Theophrastus redivivus. Cecilia Muratori received her PhD in the History of Philosophy from the universities of Jena and Urbino. Her revised dissertation was published in 2012 with the title Il primo filosofo tedesco. Il misticismo di Jakob Böhme nellinterpretazione hegeliana (to be published in English for Springer). From 2009 to 2013 she was Research Fellow at LMU Munich, working on a project entitled The Debate on the Soul of Animals in Renaissance Philosophy. In addition to several articles, two edited collections stem from this research: Ethical Perspectives on Animals in the Renaissance and Early Modern Period (ed. with Burkhard Dohm, Micrologus Library 2013) and The Animal Soul and the Human Mind: Renaissance Debates (Bruniana & Campanelliana 2013). She is currently a post-doctoral research fellow in the Italian Department at the University of Warwick. Gianni Paganini is Full Professor of History of Philosophy at the Università del Piemonte Orientale Amedeo Avogadro. He has won the prestigious Prize of the Accademia dei Lincei for Philosophy (awarded every ten years for the whole of the scholarly production over the past decade). For his most recent monograph, entitled Skepsis. Le débat des modernes sur le scepticisme, he was awarded the PRIX La Bruyère 2009 pour la littérature et la philosophie, médaille dargent, de lAcadémie Française. His monographs and studies in the history of modern philosophy, with particular focus on the sceptical tradition and libertine culture, have been accompanied by the publication of several editions of texts (notably of the anonymous Theophrastus redivivus, of Hobbes De motu, loco et tempore, and of Humes Dialogues, with Italian translation). He is a member of international advisory boards (such as International Archives of the History of Ideas, Bruniana&Campanelliana and La Lettre Clandestine).
Birds and Other Creatures in Renaissance Literature:Shakespeare, Descartes, and Animal Studies Rebecca Ann Bach
Birds and Other Creatures in Renaissance Literature:Shakespeare, Descartes, and Animal Studies Rebecca Ann Bach
Domestic Miroir autocollant Plastikmaterial Spiegelfarben. Masse: .Die Kollektion selbsthaftender Spiegel ´´Narcisse´´ befreit den Spiegel - im wahrsten Sinne des Wortes - aus seinem traditionellen Rahmen. Dank der Arbeit von zehn Designern und Grafikern erfährt der Spiegel somit eine Renaissance. Die Anbringung ist extrem einfach. Die einzelnen Motive sind selbstklebend auf allen glatten Flächen (Wand Tür Möbel...)´´Animals on the road´´ besteht aus 13 kleinen Spiegeln in Tiergestalt die Sie nach Lust und Laune zusammenstellen können. Etwa in Form einer Friese: eine fröhliche Tierprozession als Dekor des Kinderzimmers. Die leicht naive grafische Gestaltung zeigt sich von großer Präzision. Sie reflektiert das Bild das der Mensch sich von den Tieren macht. Ana Mir und Emilie Padros lernten sich während des Studiums an der Akademie für Kunst und Industriedesign Central Saint Martins in London kennen. Sie entwickeln ihre Projekte für das 1996 gegründete Designstudio emiliana. Set aus 13 Spiegeln in Gestalt von Tieren die beliebig angeordnet werden können
How did 2.3 billion people become overweight? How did heart disease, cancer, and other degenerative diseases become the leading causes of death worldwide? Our ancestors, especially our distant, Paleolithic ancestors, before the advent of agricultural, enjoyed remarkably robust health. What went wrong? During the 20th century - the Dark Ages of nutrition - flawed nutritional theories gained widespread acceptance, prompting radical departures from traditional foods and time-honored food processing techniques. Sugar consumption skyrocketed; proinflammatory vegetable oils replaced nourishing animal fats; processed foods became commonplace. In this groundbreaking book, Christopher Clark explores the social and economic forces enabling these changes while thoroughly and lucidly explaining modern scientific perspectives on fat metabolism, cholesterol, fructose metabolism, gluten, detoxification, and many other important nutritional subjects. Nutritional Grail offers life-transforming knowledge regarding what to eat, why to eat it, and how to prepare it - including 100 simple, delicious recipes. Like the original 12th-century grail story, this knowledge comes through asking questions, serving others, and serving one´s higher Self. While laying out a comprehensive strategy for effortless weight loss, improved digestion, and increased energy, Clark convincingly suggests a nutritional renaissance, propelled by science and guided by the wisdom of our ancestors, is finally dawning. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your My Library section along with the audio. ungekürzt. Language: English. Narrator: Adam B Crafter. Audio sample: http://samples.audible.de/bk/acx0/026216de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
This book presents a new way to understand human-animal interactions. Offering a profound discussion of topics such as human identity, our relationship with animals and the environment, and our culture, the author channels the vibrant Italian traditions of humanism, materialism, and speculative philosophy. The research presents a dialogue between the humanities and the natural sciences. It challenges the separation and oppression of animals with a post-humanism steeped in the traditions of the Italian Renaissance. Readers discover a vision of the human as a species informed by an intertwining with animals. The human being is not constructed by an onto-poetic process, but rather by close relations w ith otherness. The human system is increasingly unstable and, therefore, more hybrid. The argument it presents interests scholars, thinkers, and researchers. It also appeals to anyone who wants to delve into the deep animal-human bond and its philosophical, cultural, political instances. The author is a veterinarian, ethologist, and philosopher. He uses cognitive science, zooanthropology, and philosophy to engage in a series of empirical, theoretical, and practice-based engagements with animal life. In the process, he argues that animals are key to human identity and culture at all levels.
Birds and Other Creatures in Renaissance Literature ab 40.49 EURO Shakespeare, Descartes, and Animal Studies
This book investigates Hegels interpretation of the mystical philosophy of Jakob Böhme (1575-1624), considered in the context of the reception of Böhme in the 18th and 19th centuries, and of Hegels own understanding of mysticism as a philosophical approach. The three sections of this book present: the historical background of Hegels encounter with Böhmes writings; the development of two different conceptions of mysticism in Hegels work; and finally Hegels approach to Böhmes philosophy, discussing in detail the references to Böhme both in published writings and manuscripts. According to Hegel, Böhme is the first German philosopher. The reason for placing Böhme at the very beginning of German philosophy is that Hegel considers him to be a profound thinker, despite his rudimentary education. Hegels fascination with Böhme mainly concerns the mystics understanding of the symbiotic relation between God and his opposite, the Devil: he considers this to be the true speculative core of Böhmes thought. By interpreting Böhme, Hegel intends to free the speculative content of his thought from the limitations of the inadequate, barbarous form in which the mystic expressed it, and also to liberate Böhme from the prejudices surrounding his writings, placing him firmly in the territory of philosophy and detaching him from the obscurity of esotericism. Combining historical reconstructions and philosophical argumentation, this book guides the reader through an important phase in German philosophy, and ultimately into an inquiry about the relationship between mysticism and philosophy itself. Cecilia Muratori obtained a PhD in philosophy from the universities of Jena and Urbino in 2009 (double degree). She was then awarded a four-year postdoctoral fellowship from the Ludwig-Maximilians-Universität München, where she worked on a project on the difference between man and the animals in Renaissance philosophy. In particularly she has explored the ethical consequences of this difference, with regard to the philosophical debate on vegetarianism. In 2013-2014 she is Ahmanson Fellow at the Harvard Center for Renaissance Studies I Tatti: her project deals with discourses on vegetarianism and on cannibalism in the Renaissance, and on their paradoxical connections. In 2008 she won first prize in the essay competition of the Schopenhauer-Gesellschaft; and in 2013 she won the prize of the Jacob-Böhme-Institut in Görlitz for an essay on Hegel and Böhme. Among her publications: J. Böhme, Aurora nascente (chapters 1-7), translated and with an introduction by C. Muratori (Milan: Mimesis 2008); Ethical Perspectives on Animals in the Renaissance and Early Modern Period, ed. by C. Muratori and B. Dohm (Micrologus Library, 58); The Animal Soul and the Human Mind: Renaissance Debates, ed. by C. Muratori, (Bruniana & Campanelliana, Series Studi, 15).
Theodora ´´Teddy´´ Bentley, zookeeper at the Gunn Zoo, takes the zoo´s llama, Alejandro, to a Renaissance fair in the Monterey Bay area. That is where Teddy discovers the still-warm body of the Reverend Victor Emerson, owner of the local wedding chapel, dressed in his costume as Henry the Eighth. At first it appears that Alejandro stomped the man to death, but a closer look shows a crossbow dart in the man’s back. Teddy’s investigation reveals that Reverend Victor wasn’t really a reverend at all but an escaped convict, which means that every marriage he performed in the past 20 years is null and void. Teddy’s mother, Caro, a spoiled ex-beauty queen, becomes the chief murder suspect and is immediately jailed when she causes a riot in the courtroom. The ´´reverend´´ had twice married Caro to wealthy men, and when both marriages failed, Caro received large financial settlements that she may now have to give back - certainly a motive for murder. But Caro wasn’t the only person gunning for Victor. The child of the man that Victor the convict once murdered may have wanted to kill him too. Then even Teddy herself is handcuffed and jailed. Even worse, Teddy’s embezzling father flies in from exile in Costa Rica to help spring Caro from jail, putting his own freedom in jeopardy. As Teddy continues her investigation, she finds herself up to her ears in Renaissance fair actors and stuntmen, assorted animals, squabbling boat live-aboarders, and gang members. ungekürzt. Language: English. Narrator: Hillary Huber. Audio sample: http://samples.audible.de/bk/blak/005409de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.