Angebote zu "Machine" (24 Treffer)

Julien Offray de La Mettrie - Die zu Boden gest...
19,90 € *
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La Mettries skandalträchtiges Buch ´´L´Homme Machine´´ war Anlass seiner Emigration an den Potsdamer Hof Friedrichs II., wo er von 1748 bis zu seinem rätselhaften Tod im November 1751 lebte und weitere maschinenphilosophische Texte verfasste. Dabei entstanden auch drei kurze, gänzlich in Vergessenheit geratene satirische Schriften, die hier in moderner Typographie neu aufgelegt wurden und mit historischen Anmerkungen sowie einem Nachwort zur intellektuellen Biographie La Mettries versehen sind. Der oftmals nur als Begründer eines mechanischen Materialismus missverstandene Arzt und Philosoph zeigt sich hier als fabulierfreudiger, in wechselnden Rollen und mit (selbst-)ironischen Zuschreibungen jonglierender Schriftsteller, der vor allem deshalb hoch aktuell ist, weil er die Gattungsgrenzen zwischen Menschen, Tieren, Pflanzen und Maschinen hinterfragt. Die von Ulrich Richtmeyer herausgegebene Reihe ´´Maschinentexte aus Sanssouci´´ erscheint exklusiv in den ´´editionen´´ des Brandenburgischen Zentrums für Medienwissenschaften (ZeM). Sie widmet sich der Neu- und Erstauflage sowie der Übersetzung jener kleineren maschinenphilosophischen Texte Julien Offray de La Mettries (1709-1751), die während seiner Potsdamer Lebensjahre entstanden sind. Auf der Grundlage dieser Maschinentexte gilt es einerseits La Mettries geistesgeschichtlichen Status schärfer zu konturieren und andererseits die Aktualität seiner Themen und Fragen aufzugreifen, die insbesondere dort sehr hoch ist, wo die Grenzen zwischen den Gattungen fließend werden und wo das wandelbare Verhältnis des Lebendigen zur Technik auch nach intellektueller Beweglichkeit verlangt.

Anbieter: buecher.de
Stand: 19.04.2019
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The Machines of Leonardo Da Vinci and Franz Reu...
83,49 € *
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(83,49 € / in stock)

The Machines of Leonardo Da Vinci and Franz Reuleaux:Kinematics of Machines from the Renaissance to the 20th Century. Auflage 2007 Francis C. Moon

Anbieter: Hugendubel.de
Stand: 17.04.2019
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The Machines of Leonardo Da Vinci and Franz Reu...
85,49 € *
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The Machines of Leonardo Da Vinci and Franz Reuleaux:Kinematics of Machines from the Renaissance to the 20th Century. Softcover reprint of the original 1st ed. 2007 Francis C. Moon

Anbieter: Hugendubel.de
Stand: 17.04.2019
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Spartan Press Music A Renaissance Keyboard Anth...
13,00 €
Angebot
11,90 € *
zzgl. 4,79 € Versand

Beautifully presented, and thoroughly readable ´modern´ editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say, harpsichordists continue to hold the music in the highest esteem, while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first ´proper´keyboard music tumbled miraculously out of some parallel universe around Bach´s time, i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle, there are in fact a good many facets of virginal music which read across perfectly well to today´s instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation, which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible, as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily, just as it is possible to become better in resonance withavant garde musical styles, given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire), the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however, the potential for a major, rejuvenated interest in the earliest keyboard music perhaps lies in its absorption into the broader piano repertory, and to this end there is an outstanding need to put pianists in touch with the highlynuanced spirit of the pre-Baroque masters.Bull Saint thomas WakeByrd Jhon come Kisse me NowGibbons The Woods so WildeMundy Fantasia ´Faire Wether´Philips Galiarda DolorosaRichardson Pavana

Anbieter: Woodbrass.com
Stand: 22.02.2019
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Spartan Press Music A Renaissance Keyboard Anth...
12,55 €
Angebot
11,90 € *
zzgl. 4,79 € Versand

The A Renaissance Anthology seriesBeautifully presented, and thoroughly readable ´modern´ editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say, harpsichordists continue to hold the music in the highest esteem, while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first ´proper´keyboard music tumbled miraculously out of some parallel universe around Bach´s time, i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle, there are in fact a good many facets of virginal music which read across perfectly well to today´s instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation, which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible, as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily, just as it is possible to become better in resonance withavant garde musical styles, given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire), the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however, the potential for a major, rejuvenated interest in the earliest keyboard music perhaps lies in its absorption into the broader piano repertory, and to this end there is an outstanding need to put pianists in touch with the highlynuanced spirit of the pre-Baroque masters.

Anbieter: Woodbrass.com
Stand: 22.02.2019
Zum Angebot
Spartan Press Music A Renaissance Keyboard Anth...
13,00 €
Angebot
11,90 € *
zzgl. 4,79 € Versand

Beautifully presented, and thoroughly readable ´modern´ editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say, harpsichordists continue to hold the music in the highest esteem, while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first ´proper´keyboard music tumbled miraculously out of some parallel universe around Bach´s time, i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle, there are in fact a good many facets of virginal music which read across perfectly well to today´s instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation, which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible, as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily, just as it is possible to become better in resonance withavant garde musical styles, given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire), the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however, the potential for a major, rejuvenated interest in the earliest keyboard music perhaps lies in its absorption into the broader piano repertory, and to this end there is an outstanding need to put pianists in touch with the highlynuanced spirit of the pre-Baroque masters.Anon. Alman Can Shee Coranto Dalling Alman Martin Sayd to his Man Muscadin The King´s Morisco Why Aske YouBull A Gigge ´Doctor Bull´s my Selfe´Byrd Coranto Sr. Jhon Grayes GalliardFarnaby Fayne would I WeddFarnaby The New Sa-Hoo The Old SpagnolettaJohnson AlmanPhilips GalliardoTisdale Pavana ´Clement Cotto´

Anbieter: Woodbrass.com
Stand: 22.02.2019
Zum Angebot
Spartan Press Music A Renaissance Keyboard Anth...
13,00 €
Angebot
11,90 € *
zzgl. 4,79 € Versand

Beautifully presented, and thoroughly readable ´modern´ editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say, harpsichordists continue to hold the music in the highest esteem, while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first ´proper´keyboard music tumbled miraculously out of some parallel universe around Bach´s time, i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle, there are in fact a good many facets of virginal music which read across perfectly well to today´s instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation, which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible, as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily, just as it is possible to become better in resonance withavant garde musical styles, given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire), the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however, the potential for a major, rejuvenated interest in the earliest keyboard music perhaps lies in its absorption into the broader piano repertory, and to this end there is an outstanding need to put pianists in touch with the highlynuanced spirit of the pre-Baroque masters.Anon. Alman Can Shee Coranto Dalling Alman Martin Sayd to his Man Muscadin The King´s Morisco Why Aske YouBull A Gigge ´Doctor Bull´s my Selfe´Byrd Coranto Sr. Jhon Grayes GalliardFarnaby Fayne would I WeddFarnaby The New Sa-Hoo The Old SpagnolettaJohnson AlmanPhilips GalliardoTisdale Pavana ´Clement Cotto´

Anbieter: Woodbrass.com
Stand: 22.02.2019
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Engines of the Imagination als eBook Download v...
22,49 € *
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(22,49 € / in stock)

Engines of the Imagination:Renaissance Culture and the Rise of the Machine Jonathan Sawday

Anbieter: Hugendubel.de
Stand: 17.04.2019
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Engines of the Imagination als eBook Download v...
38,99 € *
ggf. zzgl. Versand
(38,99 € / in stock)

Engines of the Imagination:Renaissance Culture and the Rise of the Machine Jonathan Sawday

Anbieter: Hugendubel.de
Stand: 17.04.2019
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Engines of the Imagination als eBook Download v...
38,99 € *
ggf. zzgl. Versand
(38,99 € / in stock)

Engines of the Imagination:Renaissance Culture and the Rise of the Machine Jonathan Sawday

Anbieter: Hugendubel.de
Stand: 17.04.2019
Zum Angebot