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Ut Orpheus Denti C. - Anthological Method For Viol
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DescriptionThe present Method, devised as an anthology divided into five sections, intends to help satisfy a need, felt by many, for texts for didactic use for the Viola da gamba. It is addressed to those students and teachers who want access to concise, guiding information about the most significant musical -literature dedicated to this instrument. The selection of texts proposed here, conforming to the historical original versions both in the use of graphic symbols for embellishments and more generally with respect to the various styles and notational forms, is intended to aid in the study of the various complete compositions and the respective bibliographical panorama. The original historical European pieces and treatises cited here were chosen from the Renaissance period on as those considered most useful for learning to play the instrument. Bowings and fingering are given for the studies, the scales and arpeggios, as well as in all the -historical compositions which were without them. For didactic purposes the pieces in tablature are printed opposite transcriptions into mensural notation, while those with separate Bass parts are here given in score. Three tables are included summarizing the symbols for fingering, embellishments, dynamics and bowings, extracted from the Avertissements by M. Marais, as found in his five books of Pièces de Viole.The scales, the arpeggios and some studies – for practical reasons – designate the strings by Roman numeral and are provided with a respective Legend. The musical portraits for two viols or viol and basso continuo – given here for didactic use and presented in order of difficulty – are dedicated to viola students and friends. In the Appendix, for the study of the soprano viol in concert, three pieces in trio are provided. INDEXIntroduzione Insertion Introduction Tastiera Basso di Viola Bass Viol fingerboard Touche Basse de Viole Tastiera Viola Soprano Treble Viol fingerboard Touche Dessus de Viole Tastiera Viola Tenore Tenor Viol fingerboard Touche Taille de Viole Tastiera Viola Sopranino High Treble Viol fingerboard Touche Pardessus de Viole Notazione della Tastiera Fingerboard notation Notation de la touche Posizioni Positions Positions Temperamenti Temperaments Tempéraments Parte prima First part Partie premièreCorde a vuoto Open strings Cordes à vide Prima posizione First position Première position Mezza posizione Half position Demi-position Prima posizione allargata First extended position Première position avancéeMezza posizione allargata Half-extended position Demi-position avancée Parte seconda Second part Partie deuxièmeCorde doppie Double stops Cordes doubles Scale Maggiori e relative minori melodiche Major and relative melodic minor scales Gammes Majeures et relatives mineures mélodiquesScale minori armoniche Harmonic minor scales Gammes mineures harmoniques Arpeggi Arpeggios Arpèges Esercizi per la mano sinistra Exercises for the left hand Exercises pour la main gaucheRecercada Primera D. Ortiz (Cantus Firmus La Spagna, Tratado de Glosas; Roma, 1553)Recercada I D. Ortiz (Viola sola, Tratado de Glosas; Roma, 1553) Recercada II D. Ortiz (Viola sola, Tratado de Glosas; Roma, 1553) Recercada III D. Ortiz (Viola sola, Tratado de Glosas; Roma, 1553) Recercada IV D. Ortiz (Viola sola, Tratado de Glosas; Roma, 1553) Ordine primo in proprietà de bequadro S. Ganassi (Regula Rubertina; Venezia, 1542)Ordine secondo in proprietà de bemole S. Ganassi (Regula Rubertina; Venezia, 1542)Chelis Minuritionum Artificio Exornata C. Simpson (The Division Viol, 1659) Minuritiones Primae C. Simpson (The Division Viol, 1659) Fantasia I Th. Lupo (XX Konincklycke Fantasien; Amsterdam, 1648) Fantasia G. Bassano (Fantasie a tre voci per cantar e sonar con ogni...

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Stand: 22.02.2019
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